Hold specifies the time delay (after transient detection) before the front of the sustain envelope comes in, while Attack changes the slope of the envelope front. In the Sustain section, there are Hold, Attack, and Release times. These work as you would expect on the envelope of detected transients. In the Transients section are Attack, Hold, and Release times, as well as a Sensitivity level for identifying transients.
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Wall of voodoo destroyed!Īt the heart of Envolution are the Transients and Sustain sections, each with their own parametric Profile and Level controls. Newbies will feel much more comfortable diving into transient tweaking with this feature. It is hugely awesome to be able to correlate visually what's happening to the source in real-time as you make adjustments. Those familiar with transient modification will be psyched about Envolution's GUI it displays the effect/shape of the transient and sustain envelopes right on top of the waveform inside the plug-in window. Envolution, on the other hand, features a boon of parameters, including separate envelope-shaping controls for both the transient and the sustain sections of the process, as well as spectral controls for each section. Most early transient tools offered only a small set of basic controls.
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Other dynamics envelope processors followed, in both hardware and software form. Several years later, the Sonnox Oxford team (when it was under the umbrella of Sony) released the Transient Modulator plug-in, better known as TransMod, which was a different take on managing the level and impact of transients. Ruben Tilgner invented what he called Differential Envelope Technology and implemented it first in the hardware SPL Transient Designer. Envolution is like a transient processor on steroids!įor those unfamiliar with transient shaping, the idea is to restrict or emphasize a waveform's transient occurrences (and the sustain following those transients) with the use of multiple VCAs and envelope followers in a complicated, brain-twisting configuration. Of course, I'm being overdramatic and unrealistic, but this could be your reaction too when first experiencing Sonnox's newest offering. SM: The good news for all us grunts out there? We no longer have to be bothered with mic placement - we can just fix it later. Sonnox publishes Native (AAX, AU, and VST) and HDX (AAX DSP) versions of Envolution, and the plug-in is also available for purchase for Universal Audio's UAD-2 platform of DSP accelerators and Apollo interfaces with the UAD v8.5 software release (alongside Marshall JMP 2203 Amplifier and Brainworx bx_digital V3 EQ).
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Scott, John, and I have all become quick fans of Sonnox's latest plug-in, Oxford Envolution, so all three of us decided to contribute to this review.